The Fifth's fancy exterior.

I might have the Asian Drinking Disease, but I know a good local hangout when I see one.  Enter Valley Village’s The Fifth, another watering hole from the Vintage Bar Group (they’re the folks that brought us NoHo’s NoBar, Hollywood’s Parlour Room and other swanky, yet laid-back cocktail lounges).  Here’s an excerpt from my column for Patch.com:

…On a windy Wednesday night, a friend and I find ourselves at The Fifth, a fancy dive bar tucked away in the corner of a strip mall off Whitsett and Riverside. The bar’s name is written in swanky white script on a black oval sign trimmed with bright globe lights, but it easily could have been a blinking marquee in capital letters exclaiming, “CLASSY COCKTAILS SERVED HERE.” Like any refined lady of class, The Fifth prefers a subtle hint of elegance over an extravagant, flashy show.

After walking a mile in the blustery cold (we opted for a car-less adventure), we’re standing in the dim-lit lounge, surprised to see only a handful of other people in their ’20s and ’30s. It’s the kind of place Don Draper might call his second home, but it’s also welcoming enough for Peggy Olson and her friends.  One wall is covered with mid-century inspired avocado-green diamond-patterned wallpaper, and the seating area has wall-to-wall tufted black vinyl seats. Straight ahead there’s a pool table, but for the rest of us who lack motor skills (sober or otherwise), there are vintage arcade games that also serve as tables and conversation starters.

The seats at Ms. Pac-Man are miraculously empty, so we claim our spots and order our drinks. There’s no beer on tap, so we both get a bottle of Guinness for five dollars each.

The jukebox has a little something for everyone. For a dollar, you can start off with a track from Florence + the Machine, then get trashy with Guns N’ Roses and finish the set with NWA. If you’ve got another dollar, you can get glam-tastic with Bowie, dance to Depeche Mode and settle down with Stevie Nicks.

Read the whole story here!

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Last year I baked a decent-looking, okay-tasting pumpkin pie.

Yes, it’s been two months since I’ve updated (bad blogger, very bad blogger!), but not without good reason! I’m proud to announce that I’ve been a contributor to North Hollywood Patch, in my opinion one of the Patch.com network’s best sites in terms of original local news.

You can check out my weekly column, About Town, where I chronicle life, arts, culture and more in the NoHo Arts District.

Since that turkey-roasting, carb-lovin’ gluttonous holiday is just a day away, I thought I’d share one of my favorite spots for a great slice of pie: Valley Village’s Four ‘N 20 restaurant.  From my Patch column:

My favorite way of giving thanks to the fall season is by indulging in my favorite dessert: pumpkin pie. This month alone, I’ve used two potluck parties as an excuse to bust it out (I admit, both instances were shamefully store-bought).  As a faithful follower of the great orange squash, I’ve even tried my hand at making my own tart. Though it was edible, the flavor was forgettable and uninspiring. Finally, I decided I’d do it the right way and get a freshly-made slice at Four ‘N 20, a local restaurant known for their pie expertise.

My predecessor had written about the restaurant-slash-pie-place back in February, but their tasty, award-winning pastries deserve some additional recognition for completing Thanksgiving spreads in the homes of many.

Their coconut cream is my go-to during the summer, and so I was excited to try a slice of their pumpkin pie — it’s been on countless “Best Of” lists, including CBS Los Angeles’ last year. When I grabbed dinner at Four ‘N 20 the other night with two friends, I also pre-ordered a full pie for my family’s Thanksgiving get-together — without even trying a sample first. I’m not usually the type to make purchases without doing proper research beforehand, but I decided to trust my squash-loving instincts (I’m sure the numerous newspaper clippings on the eatery’s walls billing their pies as “award-winning” also played a role in my spontaneity).

You can read the rest of the article here!

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Palm tree against a sunset at Spaulding Avenue off Santa Monica Boulevard. Photo courtesy of ThinkingCouch via Flickr

 

 

Looking for something to keep you busy this weekend? Here are the goings-ons around town that are cheap or free for Sept. 16 to 18.

Friday, Sept. 16

  • Québec in Hollywood, Egyptian Theatre & other locations, 5:30 p.m.  Celebrate the arts, culture, food and film at the ongoing Québec in Hollywood event. Tonight’s festivities include the international premiere of Starbuck at the Egyptian Theatre ($11 general, $7 members, $9 seniors & students), happy hour from 5:30 to 8 p.m. at the Roosevelt Hotel’s Library Bar, and more. Details and info at their website
  • TarFest Juried Art Exhibition opening reception, 6 to 9 p.m.: As part of the annual arts & cultural event, check out tonight’s juried art exhibition at the Korean Cultural Center in the Miracle Mile District. 5505 Wilshire Blvd., 90036. Website

Saturday, Sept. 17

  • ArtCycle Street Festival, East Hollywood, 2 to 10 p.m.  The all-day free event celebrates the cool bike culture of East Hollywood with art, food, live music, activities and more.  Ride your bike worry-free on Santa Monica Boulevard from Vermont to Virgil. Bicycle valet available. Website
  • Open Market Place flea market at Hollywood High School, 9 a.m. to 4 p.m. Located at 1521 N. Highland Ave. Website

Sunday, Sept. 18

  • It’s Pie Time: 3rd Annual KCRW Good Food Pie Contest at LACMA, 12:30 to 4 p.m.  KCRW DJ Anne Lit spins from 2 to 4 p.m., and from 3 to 3:30, taste-test the competitors’ pies (while supplies last…I’m sure they’ll go fast!).  And if you show up to LACMA in your apron, you get free museum admission! Other events include gallery tours, pie art and more; details and schedule at LACMA’s website
  • Glendale Community College Swap Meet, 8 a.m. to 3 p.m. Located at the corner of Mountain Street just off the 2 freeway. Free admission. $2 preferred parking (recommended), otherwise park off Verdugo Road and walk up the hill to the college’s parking lot. More info here.
  • Valley Village Flea Market & Craft Fair, 9 a.m. to 4 p.m. Located at the Country School lot, 5243 Laurel Canyon Boulevard, 91607.

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Little Tokyo: Weller Court

Weller Court in Little Tokyo is located just east of downtown.

As part of my International Grocery Bag series, I’m featuring grocery stores with food from around the world.  The first stop of the series is Marukai Market in Little Tokyo.

For a sunny, lazy day in downtown, Little Tokyo’s Weller Court is the perfect stop.    After slurping up some ramen at Orochon or Chin-Ma-Ya (both are excellent, and our decision’s usually based on the shortest lines out each’s doors — They’re both that good!), I check out Kinokuniya for Japanese  books and magazines (I always make sure to get Vogue Nippon while I’m there), then head over to Marukai Market to pick up some snacks and dessert.  It’s one of my favorite international grocery stores – I love seeing rows and rows of brightly-colored food packaging or taking a gander at the latest beauty fads in Japan.

To get there car-free, exit at the Civic Center stop from the Red Line subway, then walk east on W. 1st Street towards S. Broadway for about 7 min.  From the Gold Line, exit at the Little Tokyo stop, then walk west on E. 1st Street towards S. Central Avenue (it’s about a 6 min. walk).  Weller Court is located at 123 Astronaut E S Onizuka Street, Los Angeles, 90012.


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The beginning of a journey: A view Brewer and his crew may have seen as they arrived into San Francisco, their first stop in the California Geological Survey. Photo courtesy of Tom Hilton via Flickr.

It was early morning when William H. Brewer and his geological survey team arrived in New Almaden, a town just south of San Jose. They had left the Santa Cruz Mountains the day before and arrived above the fog just in time for a breathtaking view of the Santa Clara Valley. It was “the most picturesque road we had yet traveled” on their trip through California, wrote Brewer in his journal.

In today’s entry, he wrote:

There are three mines within a region of six miles, all in the same ridge, which is about 1,700 feet high, lying parallel with the high chain of mountains behind, and separated from the Santa Clara Valley by a still lower chain of foothills.
We rode to the Enriquita Mine, about six miles from camp, by a trail over the hills. It is the poorest of the three, and lies about midway between the other two, the three being in a direct line. We introduced ourselves to the superintendent and engineer, Mr. Janin, who showed us every attention, going into the mine with us. It is much like New Almaden in character, but vastly poorer. Its owners are one set of disputants for the title of New Almaden also, so of course there is much feeling between the two mines. Four sets of claimants are lawing for New Almaden, and two more wait behind, to claim of these claimants should the latter be successful—a pretty “kettle of fish,” to be sure.

The California Geological Survey field party of 1864: surveyor/engineer James T. Gardiner, packer Richard D. Cotter, botanist William H. Brewer, and geologist Clarence E. King

The year was 1861 and Brewer was the chief botanist handpicked by state geologist Josiah D. Whitney to lead California’s first Geological Survey, which lawmakers had hoped would lead to vital mining information – 1849 had made the Golden State rich with prospectors heading to the Wild West in search of fortune. He documented his team’s travels and adventures in letters to his family and friends, which were later compiled and published by the Yale University Press.

Enter Tom Hilton, whose blog, Up and Down California (named after the published compilation of Brewer’s letters), brings Brewer and his journey along the first California Geological Survey to 2011. Technically, the blog is Brewer’s – it is his words that fill each blog post with stories of the Golden State’s mountains, valleys and coastlines – but it’s Hilton’s fascination with the 14,000-plus miles of California that Brewer and his team explored 150 years ago that breathes new life into the journey. Not only can readers read about the past as if they were the present, but they can also see the similarities between both times’ political and economical struggles.

Hilton, an avid hiker and New Jersey native who’s been living in the Bay Area for the last 35 years, said his experiences backpacking in the Sierra Mountains inspired him to find out more about the land. His curiosity led him to reading Brewer’s published journals, Up and Down California in 1860 to 1864.

Though the Sierras only appear in 20 pages of the 500-page publication, Hilton said he was drawn into the rest of Brewer’s writings.

“It’s a vision of…a California before the freeways, before strip malls,” said Hilton. “When I read it, the rest of it was just fascinating to me because as a picture of that time and place, there’s something so immediate about it. [Brewer]… was just in awe of the natural beauty.”

He began the project as a way to build “a more complete, deeper understanding of California.” The blog adds “a temporal dimension [and] conception” to the survey, and Hilton hopes people who live in the areas Brewer visited will get “a more multi-layered connection with where [they] live.” He started the blog with the spirit of the old “build it and they’ll come” idea, but joked, “and maybe they won’t come…I never have an idea which of my obsessions will be of interest to anybody else.”

On the blog, Hilton pairs Brewer’s original text with modern-day photos of the survey team’s camp locations as a way for readers to see how much the landscape has changed. From people’s personal blogs about their family history to databases of historical documents provided by universities, in addition to sites like Flickr and Wikipedia, Hilton said the amount of available resources online that made this project possible “are just staggering.” Though he plans on taking road trips to see as many of the survey’s campsites as possible, the Internet has made it all the more easier to collect images of places he wouldn’t be able to visit himself.

Readers can get a glimpse of what Brewer may have seen from his ship as he arrived in San Luis Obispo’s port, then see photos of the plants he collected that day on his November 25, 1860 entry. A week later, Brewer’s in Los Angeles visiting California politician Benjamin Davis Wilson, who lives near San Gabriel Mission (“Our host, uneducated, but a man of great force of character, is now worth a hundred or more thousand dollars and lives like a prince, only with less luxury.”) Accompanying that entry are photos of the Wilson ranch Brewer visited. In an entry a few days later, Brewer describes L.A. as “a city of some 3,500 or 4,000 inhabitants, nearly a century old, a regular old Spanish-Mexican town…The grapes are famous, and the wine of Los Angeles begins to be known even in Europe…”

As Brewer writes about his and his crew’s travels and discoveries, he also opens the door to history as it unfolds: The day they sailed into San Francisco through the Golden Gate Bridge, they “found news of Lincoln’s election when we landed, an unprecedented quick trip of news,” writes Brewer. “I have been out to see fire-works, processions, etc., in the early part of the evening, so it is now late.”

“I’m constantly thinking about how different it is and how many parallels there are,” said Hilton of comparing Brewer’s times with modern times. “The way he describes the [Civil War] secessionists, it’s not unlike the Tea Partyists. Things have changed, but a lot of basic political struggles continue in some other value.”

Despite the possibilities of all-encompassing web research, “there’s still information [that has] to be gotten the old-fashioned way,” said Hilton. Eventually he wants to see Brewer’s original field journals, which are housed at UC Berkeley’s Bancroft Library, to see what else the botanist included in his letters.

The state government called it quits on the California Geological Survey after lawmakers voted to cut it out of the 1867 budget – the Legislature was more interested in the survey’s ability to find gold in the ground than in the team’s important findings in paleontology, geography and zoology. By the following year, all work on the project came to a halt, and in 1874, the entire project was abandoned. Whitney ended up using his own money to fund the publishing and printing of the remaining survey results (the state had paid for the first three volumes of the survey). But through Brewer’s words and Hilton’s dedication to the survey team’s quest, the adventure – and significant discoveries – of the first California Geological Survey lives on.

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As part of LAist’s month-long feature of one park per day in July in honor of National Parks & Recreation Month, I wrote about Altadena’s Cobb Estate, which is home to the Sam Merrill Trail.  I’ve written about it here before when I explored the history and ruins of Mt. Lowe Railway, and I thought the land itself would make a pretty good subject.  To some, Cobb Estate is known as the “haunted forest” — That term is how I was introduced to the property when I first visited the estate with a few friends in high school. I don’t recall any paranormal activity, but I do remember the shrubbery being much more green.  As with any supposedly-ghostly spot, there’s a Gravity Hill not too far off East Loma Alta Drive (and as with some unexplained phenomena, there’s an explanation).

The home of Carrie & Charles H. Cobb, c. 1930. Photo courtesy of the Altadena Historical Society from "Altadena's Golden Years" by Robert Peterson, p. 37

Retired lumber magnate Charles H. Cobb and his wife, Carrie, built the house as a permanent family home in 1918 a few years after purchasing the property, according to Jane Brackman, president of the Altadena Historical Society.

The home was a “Spanish-style mansion, elegantly appointed with imported exotic hardwoods, was landscaped with eucalyptus, palm trees and lodge pole pines,” according to the historical society’s Sept. 13, 2009 newsletter. The abundance of wood was “fuel just waiting for a fire,” and in 1935, the La Vina fire that burned the foothills from Millard Canyon to Las Flores Canyon nearly destroyed Cobb’s home. Luckily, “the 83-year-old…with the help from his 200,000 gallon reservoir was prepared for the fight.” Cobb was able to keep the fire away from his him with a hose of 100 pounds pressure, and “with the aid of Andrew Anderson, was able to save all of his propery with the exception of damage done to a few trees and shrubs,” according to the Oct. 24, 1935 issue of the Altadena Press.

Cobb, a member of the Freemasons, designated the land to be given to the Scottish Right Temple in Pasadena upon his death; he died in 1939, and the Masons sold the property a few years later. The home was also used as a retreat by the Sisters of St. Joseph.

From my post on LAist:

Cobb died in 1939, and after several owners, the property was purchased by the Marx Brothers in 1956. Sadly, the once-luxurious home became a hangout for misfits and up-to-no-good teens: Police took “175 juveniles and 20 adults into custody for petty crimes in and around the disintegrating mansion. Its remnants were removed in 1959, leaving only a foundation and scattered low stairways and walls as a legacy to its former grandeur,” [Altadena: Between Wilderness and City author Michele] Zack wrote.

The Marx Brothers’ estate put the land up for auction in 1971 after residents disagreed with the plans to turn the property into a cemetery. Local preservationist groups rallied together to raise money to save the park, and with the help of the John Muir High School Conservation Club, the cause garnered enough attention from the media and $175,000 was raised to buy the park.

In an email, Brackman said the Marx family “purchased the property for well over $400,000,” and it was valued at the same price at the time of the 1971 auction.

Read the Pasadena Star-News’ front-page story about the fateful auction, published the same day as the LAist post.

The Altadena Historical Society is hosting a free speaking event next Monday, July 25 at 7:30 with Muir high school teacher Bob Barnes, who helped raise money to purchase the Cobb Estate and keep the land open to the community. The event will be held at 730 East Altadena Drive in Altadena.


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View L.A. Noire Landmarks & Places in a larger map

In one of the best examples of art (if you consider video game development as “art”) imitating life, L.A. Noire does a pretty good job of recreating 1947 Los Angeles. The game actually inspired me to get off the couch and get out on the streets of downtown L.A. to explore its history, and what resulted were a couple of posts for LAist: L.A. Noire: Then and Now as well as a Google maps self-guided tour edition. Here’s just a bit of what you missed:

It’s 1947: Earlier this year, Elizabeth Short was found dead in Leimert Park, KTLA channel 5 made its television broadcast debut, and LAPD Det. Cole Phelps is out on the streets busting the bad guys. OK, so that last bit is fiction, but thanks to the newly-released L.A. Noire video game, Angelenos can travel back in time to visit downtown L.A., Hollywood and parts of mid-Wilshire in all their post-WWII grit and glory.

In an interview with the L.A. Times (who published an interactive 1947 crime map online) the video game’s Sydney, Australia-based developers recounted how they studied over 180,000 historical photos, including Robert Spence’s aerial photos, to bring ’40s Los Angeles back to life.

True, the art and design team took some liberty with some of the game’s locations and details: The La Brea Tar Pits were renamed Westlake Tar Pits and relocated near 8th and Vermont, and the designers admit to growing the era’s then-3-foot palm trees to full size in the game. And when historic L.A. expert Nathan Marsak of the 1947Project took the game for a test drive, he found many “oft-photographed buildings” and landscape details missing, and Bunker Hill Avenue and Angels Flight Pharmacy that existed in ’47 were nowhere to be seen, among other anachronisms.

Be sure to click the links above the see the entire before-and-after photo post, along with ways to take your own self-guided tour!

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The above video of Santa Monica’s Ocean Park Pier was shot in 1954, before the attraction was re-named and re-opened as Pacific Ocean Park (P.O.P.) in 1958. Located between modern-day Ocean Park Boulevard in Santa Monica and Rose Avenue in Venice, The 28-acre P.O.P. had been reborn several times (thanks to a series of devastating fires) over the course of the 20th century: It was given its first life by Alexander Fraser, who built the Million Dollar Pier in 1911. Fifteen months later, the entire pier was burned to the ground in a fire that began when “Someone had carelessly tossed a smoldering cigarette in some bedding,” according to author Jeffrey Stanton.

The pier and its many attractions were re-built and re-opened in 1913, and in 1919 it was re-named Pickering Pier after Ernest Pickering purchased it and expanded it to 400,000 square feet, writes Stanton. An adjoining pier was added, along with more rides, a roller coaster and a dance pavilion were built, but five years later in 1924 the pier again burned down. After it was purchased and rebuilt by Charles Lick (who had built the smaller, adjoining pier to Pickering’s park), the new Ocean Park Pier held its grand opening in 1925 and flourished, undergoing several renovations and improvements.

But by World War II, the amusement park had grown old-fashioned, and “teenagers and young adults instead were staying home to watch television or driving their cars to outdoor movie theaters for entertainment,” writes Stanton. In 1956, the park was purchased by CBS and Los Angeles Turf Club (the folks of today’s Santa Anita Race Track) and was re-opened two years later as the sea-themed Pacific Ocean Park. By the 1960s, the park was waning in popularity as rides fell into disrepair and customers were wary of visiting because it was “in a run-down, seedy part of town,” writes Stanton. Finally, it closed in 1967, and anything that remained became dilapidated and…you guessed it…burned down in a fire.

By 1974, it was reduced to rubble for urban explorers to wander and reminisce what once was the West side’s answer to Disneyland. Check out David Doherty’s first-hand account of exploring the pier’s ruins as a teen, as well as his personal collection of newspaper clippings. The once-revered waterfront theme park became known as “Dogtown” when the Z-Boys skateboarders and surfers of the mid-’70s made it their main hangout. By the next year, the fire-damaged ruins and any remaining structures were demolished and cleared, leaving its secrets and history buried under water.

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Below: the modern-day location of the beachfront park.


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[Via Huffington Post]

The Travel Channel unveiled a new show, Off Limits, which explores the “forbidden, hidden and unseen places in America”, and the Los Angeles episode features the ranch.  Host Don Wildman visits the site and uncovers its history; watch it tonight at 10 p.m.

In Case You Missed It:

More Around The Web:

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And you thought YouTube was only good for videos of silly cats or funny babiesGerlock11’s treasure trove of vintage video footage gives a glimpse into the past with mid-century-era home movies of trips to Griffith Park & Observatory, Malibu Pier (with sea lions!), Santa Monica Pier (more on this one later!), Knott’s Berry Farm and Disneyland, among other tourist hot spots. The clips, which are credited as part of the Elmer Gerlock Film Project, range from the early 1950s to the late 1980s and contain footage of sights across the U.S., including Florida, Nevada and Ohio, where the cameraman is presumably from — the uploader, Shawn, lists his hometown as Maple Heights, OH, and we can only assume he’s a relative of the original cameraman.

At times, the camera is unsteady as it pans from one point of interest to another. And while this might be the vintage equivalent of a shoddy, out-of-focus cell phone video clip, there’s a charm to the old film’s dust & scratches and amateur quality that makes it seem like we’re seeing the 1950s through our own eyes.

Malibu, 1954:

Disneyland’s Fantasyland, 1957:

Will Rogers State Park, 1954

Universal Studios, 1977:

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